Mentelocale Bandinu.Camaggi.Finelli.Guerinoni Project A - Urban Network
Technical The project involves an interaction with the users through an active exchange - ideal and practical - of city driving that begins with the recall from the railway station and the office of tourism to a small map of the city contained in a vending machine. On one side of the map will be marked in a way dear to the artist who wants to share with the users. On the other side will be shown the map of the city without default paths, on which the user can draw a path or signal entirely free of a city that has particularly affected. Will then be asked to return at the point of collection your own map. will happen in this way an exchange of tracks, a self-giving experiences, walkways or city views. from vending machines (similar to those for sweets) will be available the maps contained in plastic balls with the addition of a small pencil to chart their own path. Each artist indicates a specific place in Bologna, in fact, the distributors will present four different versions of tracks. The maps will be submitted by the visitor in a totally random. points or paths that we reported on the spot will be marked by interventions aimed at highlighting the location without changing its identity. Do not pretend to impose his own personality to the place but rather to add something unusual to draw attention to a particular part of the city (For example, spotlights and stage lights to a certain view, add to the tolling of a clock Galiero every hour on the bridge near the Clocks "dumb" to the station, flavored with a strong smell of bread or a way to install sound of car horns in the parks or in areas with limited traffic). The artist does not claim to monopolize user's visit to the city, much less invasive way to intervene in the territory, but simply to give an unusual and poetic moment. paths that users will want to tell us how to "own" will be picked up again near the center where you can pick up maps and will become part of a sort of virtual archive of possible mental maps city.
Mentelocale Bandinu.Camaggi.Finelli.Guerinoni Project A - Urban Network
Technical The project involves an interaction with the users through an active exchange - ideal and practical - of city driving that begins with the recall from the railway station and the office of tourism to a small map of the city contained in a vending machine. On one side of the map will be marked in a way dear to the artist who wants to share with the users. On the other side will be shown the map of the city without default paths, on which the user can draw a path or signal entirely free of a city that has particularly affected. Will then be asked to return at the point of collection your own map. will happen in this way an exchange of tracks, a self-giving experiences, walkways or city views. from vending machines (similar to those for sweets) will be available the maps contained in plastic balls with the addition of a small pencil to chart their own path. Each artist indicates a specific place in Bologna, in fact, the distributors will present four different versions of tracks. The maps will be submitted by the visitor in a totally random. points or paths that we reported on the spot will be marked by interventions aimed at highlighting the location without changing its identity. Do not pretend to impose his own personality to the place but rather to add something unusual to draw attention to a particular part of the city (For example, spotlights and stage lights to a certain view, add to the tolling of a clock Galiero every hour on the bridge near the Clocks "dumb" to the station, flavored with a strong smell of bread or a way to install sound of car horns in the parks or in areas with limited traffic). The artist does not claim to monopolize user's visit to the city, much less invasive way to intervene in the territory, but simply to give an unusual and poetic moment. paths that users will want to tell us how to "own" will be picked up again near the center where you can pick up maps and will become part of a sort of virtual archive of possible mental maps city.
terraced pyramid of reinforced concrete, off-axis task that thousands of rail passengers know only from the same distance, the building via Attiraglio is a big ship aground in the port of Modena, from the balconies pulls air in the suburbs.
his identity is not at issue here, or you are talking to renew the image of the city, the project is aimed at a re-establishment of the common, shared by the inhabitants, situated on the ground floor.
The area of \u200b\u200bintervention moves from outside to inside the building. Besides water, which has always been a factor for bringing people together will be the light emanating from the same floor, refill the space, the third element of the project instead sampietrino. The latter type of flooring leads immediately the old town, the pavement should be so traditional to bind not only the indoor-outdoor area, but also express a weld with the heart of the city. In addition, this type of surface, in contrast to the usual wash floors, take the challenge to upgrade: from trivial gallery of transit through a place of business experience and encounter.
Project:
The area of \u200b\u200bintervention is a portion of R-North: a housing block a step away from the historical center of Modena, but isolated from the rest of the city because of its bulky architectural identity.
The idea of \u200b\u200brehabilitation of the area is actually a "rethink" in a harmonious way a texture that creates an environment that illuminates the gallery building. Through a systematic interaction between people and space, you change - not purport to alter the volume of the building - the very image of the housing unit, re-evaluating the dynamic the interplay of solids and voids.
The project covers the walls and anchors, but focuses mainly on the pavement, the order proposed architecture is characterized by horizontality in fact: from the transparency of glass, alternating with a paving stone and through the historic light neon, the aim is to change the overall appearance of the building.
The intervention areas identified within the block housing are:
A) Flooring: feature of the intervention is to involve the entire area unified through a water channeled, as a kind of heart, flows inside. The horizontal trend affects not usually in place while remaining light. That is why the idea is to rethink a floor keeping its horizontality, ideally influence extending even to the whole building. In reference to its proximity to the city center, we propose a general re-paving with cobblestones or typical of Modena with cobblestones. The pavement will be off a small funnel shaped dynamics that will unfold over the entire surface and will be illuminated by a binary structure composed neon colors. The neon will have to follow the whole course of the river on both sides and can switch to different wheel colors. At the level of the floor the waterway will be placed under the transparent panels. It would create the illusion of walking on water and light, harmonizing the area of \u200b\u200btransparency with the rough stone floor.
B) The river: performance with dynamic and convoluted form, the water flows driven by a pump in an ongoing, channeling around three hubs.
C) fulcrums:
1) Subs not used: backless marble with curved, consisting of two semicircular blocks placed opposite one another. The users will be able to sit their feet on the glass floor, ideally having the feeling of sitting on the fulcrum of convergence of waters at the area takes on a spiral course.
2) fountain made only by a jet from which to draw drinking water from the floor and spread with vertical movement, activated by a foot pedal .
3) The garden: in this area the project involves the design of a garden covered by transparent panels, placed below the pavement. Plants that make up the garden will be selected to withstand the weather and micro-climate has arisen under paintings.
D) Walls: the choice to keep the brick is functional to the enhancement of the floor. Along the perimeter of the upper wall and floor would be placed neon, or LED, can illuminate the entire course of the tunnel.
E) Painting outside the building total : small intestine. As a hypothetical, it would be interesting to offer a range of colors should be presented to the inhabitants.
terraced pyramid of reinforced concrete, off-axis task that thousands of rail passengers know only from the same distance, the building via Attiraglio is a big ship aground in the port of Modena, from the balconies pulls air in the suburbs.
his identity is not at issue here, or you are talking to renew the image of the city, the project is aimed at a re-establishment of the common, shared by the inhabitants, situated on the ground floor.
The area of \u200b\u200bintervention moves from outside to inside the building. Besides water, which has always been a factor for bringing people together will be the light emanating from the same floor, refill the space, the third element of the project instead sampietrino. The latter type of flooring leads immediately the old town, the pavement should be so traditional to bind not only the indoor-outdoor area, but also express a weld with the heart of the city. In addition, this type of surface, in contrast to the usual wash floors, take the challenge to upgrade: from trivial gallery of transit through a place of business experience and encounter.
Project:
The area of \u200b\u200bintervention is a portion of R-North: a housing block a step away from the historical center of Modena, but isolated from the rest of the city because of its bulky architectural identity.
The idea of \u200b\u200brehabilitation of the area is actually a "rethink" in a harmonious way a texture that creates an environment that illuminates the gallery building. Through a systematic interaction between people and space, you change - not purport to alter the volume of the building - the very image of the housing unit, re-evaluating the dynamic the interplay of solids and voids.
The project covers the walls and anchors, but focuses mainly on the pavement, the order proposed architecture is characterized by horizontality in fact: from the transparency of glass, alternating with a paving stone and through the historic light neon, the aim is to change the overall appearance of the building.
The intervention areas identified within the block housing are:
A) Flooring: feature of the intervention is to involve the entire area unified through a water channeled, as a kind of heart, flows inside. The horizontal trend affects not usually in place while remaining light. That is why the idea is to rethink a floor keeping its horizontality, ideally influence extending even to the whole building. In reference to its proximity to the city center, we propose a general re-paving with cobblestones or typical of Modena with cobblestones. The pavement will be off a small funnel shaped dynamics that will unfold over the entire surface and will be illuminated by a binary structure composed neon colors. The neon will have to follow the whole course of the river on both sides and can switch to different wheel colors. At the level of the floor the waterway will be placed under the transparent panels. It would create the illusion of walking on water and light, harmonizing the area of \u200b\u200btransparency with the rough stone floor.
B) The river: performance with dynamic and convoluted form, the water flows driven by a pump in an ongoing, channeling around three hubs.
C) fulcrums:
1) Subs not used: backless marble with curved, consisting of two semicircular blocks placed opposite one another. The users will be able to sit their feet on the glass floor, ideally having the feeling of sitting on the fulcrum of convergence of waters at the area takes on a spiral course.
2) fountain made only by a jet from which to draw drinking water from the floor and spread with vertical movement, activated by a foot pedal .
3) The garden: in this area the project involves the design of a garden covered by transparent panels, placed below the pavement. Plants that make up the garden will be selected to withstand the weather and micro-climate has arisen under paintings.
D) Walls: the choice to keep the brick is functional to the enhancement of the floor. Along the perimeter of the upper wall and floor would be placed neon, or LED, can illuminate the entire course of the tunnel.
E) Painting outside the building total : small intestine. As a hypothetical, it would be interesting to offer a range of colors should be presented to the inhabitants.
MONOPANCA Mentelocale urban art project. Bandinu.Brembilla.Camaggi.Finelli.Guerinoni
Location: Piazza Giuseppe Verdi and Piazzetta della Pioggia said in Bologna. are places of threshold of the Roman quarter, exactly where was "the penultimate" ring of walls that stood between the late sixth and early thirteenth century. Squares on both the lack of benches makes it difficult and almost unnatural break. Verdi Square is the center of the university, is a meeting point and crossroads, because of its nature in recent times almost ground to social strife between residents and students here in the absence of the pause becomes stationary benches. Yet paradoxically, the presence of benches could lend itself to reinforce the argument. Square in the Rain is a place of transit, pedestrian and cycle especially, its very structure precludes ideally present the concept of rest, because about half the square is occupied by the road and the parking of motorcycles and bicycles.
Entities: on the floor of the Piazza offers available: a limited number of chairs-sculpture. These are the same shape, the single most common between the chairs: white plastic - chair terrace, garden, camping. An outdoor chair that became becomes public bench and having a single call MONOPANCA. The MONOPANCA will be produced - 1:1 scale - in white Carrara marble and sculptures will be located in both squares in the middle of the area apart from each other; other four, but stacked on each other, located in blocks near a column or pillar.
The users: they can swap the marble to plastic, taking the work to a common chair. The surprise will probably be delayed beyond the first present to the eye. The approach will be voluntary, even after repeated passages and will be in a sense willing and desiring. In addition there is a part of the work, MONOPANCHE ie do not stack, really usable as chairs-benches. In this case the user will enjoy a privileged position relative to other visitors to the square, then take a view interesting, perhaps unexpected. Convergence as innovation: the work has not slipped past more or less distant, even optimistic pushes one of the solutions for the future. The installation takes care to occupy the intermediate stage, that arises as a criticism and denunciation of the current state until it is genuinely thought a complete building work on piazze.Tuttavia the permanence of the position in the square has the size and same value as a monument; so here's a meaning in the use of marble: it is monumental. Piazza roads and means of meeting people, but more fundamentally is to make "free" spaces, open, hospitable shore leave on the edge of the walkways. overlapping the square the work is done by finding a convergence of historical sites and level of everyday life and in formal terms: the monumental MONOPANCA make the chair through its most popular, celebrated in practice the lack of ability to stop on the places .
MONOPANCA Mentelocale urban art project. Bandinu.Brembilla.Camaggi.Finelli.Guerinoni
Location: Piazza Giuseppe Verdi and Piazzetta della Pioggia said in Bologna. are places of threshold of the Roman quarter, exactly where was "the penultimate" ring of walls that stood between the late sixth and early thirteenth century. Squares on both the lack of benches makes it difficult and almost unnatural break. Verdi Square is the center of the university, is a meeting point and crossroads, because of its nature in recent times almost ground to social strife between residents and students here in the absence of the pause becomes stationary benches. Yet paradoxically, the presence of benches could lend itself to reinforce the argument. Square in the Rain is a place of transit, pedestrian and cycle especially, its very structure precludes ideally present the concept of rest, because about half the square is occupied by the road and the parking of motorcycles and bicycles.
Entities: on the floor of the Piazza offers available: a limited number of chairs-sculpture. These are the same shape, the single most common between the chairs: white plastic - chair terrace, garden, camping. An outdoor chair that became becomes public bench and having a single call MONOPANCA. The MONOPANCA will be produced - 1:1 scale - in white Carrara marble and sculptures will be located in both squares in the middle of the area apart from each other; other four, but stacked on each other, located in blocks near a column or pillar.
The users: they can swap the marble to plastic, taking the work to a common chair. The surprise will probably be delayed beyond the first present to the eye. The approach will be voluntary, even after repeated passages and will be in a sense willing and desiring. In addition there is a part of the work, MONOPANCHE ie do not stack, really usable as chairs-benches. In this case the user will enjoy a privileged position relative to other visitors to the square, then take a view interesting, perhaps unexpected. Convergence as innovation: the work has not slipped past more or less distant, even optimistic pushes one of the solutions for the future. The installation takes care to occupy the intermediate stage, that arises as a criticism and denunciation of the current state until it is genuinely thought a complete building work on piazze.Tuttavia the permanence of the position in the square has the size and same value as a monument; so here's a meaning in the use of marble: it is monumental. Piazza roads and means of meeting people, but more fundamentally is to make "free" spaces, open, hospitable shore leave on the edge of the walkways. overlapping the square the work is done by finding a convergence of historical sites and level of everyday life and in formal terms: the monumental MONOPANCA make the chair through its most popular, celebrated in practice the lack of ability to stop on the places .
Sometimes strange oxymorons, accostature buffers actions thus attract each other bulbs generate life, results that cross the grid iron Time to start the individual time cosmic. This is the feeling I had before this installation, free to be imprisoned, these roots, combining earth and sky through an underground beat, underground, incessant, through a branching capillary becomes solid anchor hook but also the mother that nourishes . So for too long buried alive, but without the gratification that it is essential to those who have a brisk business. And, waiting for the baptism of science, from nameless for the nomination, the name will have the gratitude and will thus come among men, that they will become a language with a precise and accurate. In some way is the desire to be imprisoned, but in a sweet captivity, longed for a captive, a surrender to a happy fate awaited. Finally, in the name will also be knowledge, deducible, decipherable. And all this will initiate the most joyous to all full moons that between now and always will love the night.
Sometimes strange oxymorons, accostature buffers actions thus attract each other bulbs generate life, results that cross the grid iron Time to start the individual time cosmic. This is the feeling I had before this installation, free to be imprisoned, these roots, combining earth and sky through an underground beat, underground, incessant, through a branching capillary becomes solid anchor hook but also the mother that nourishes . So for too long buried alive, but without the gratification that it is essential to those who have a brisk business. And, waiting for the baptism of science, from nameless for the nomination, the name will have the gratitude and will thus come among men, that they will become a language with a precise and accurate. In some way is the desire to be imprisoned, but in a sweet captivity, longed for a captive, a surrender to a happy fate awaited. Finally, in the name will also be knowledge, deducible, decipherable. And all this will initiate the most joyous to all full moons that between now and always will love the night.
not see with one eye it is observed with two. " Data" is why the recalibration rebalancing, the stimulus to the observer so that exacerbates the spontaneity of its ironic sensibility. How many objects, sounds fine, stray sounds, smells shrunken, signals fading daily to escape our attention? Too many, and very decisive. not to give birth the usual banalities of modern miscellanies, but to sip and savor the taste sticky yet beguiling the time with no need to strip recession. The weather does not stop, man. Resplendent as the importance of this insight had from these artists that consists of removing the dust that seems soporific motionless and perishable, that is intended to narrow the fate of attrition, the absorption of the same immobility. Giving shape and contour, space and driving in what was, and now no longer necessary is the goal of this intervention. I am reminded of what What are the clouds and the puppets scrambled Pasolini by pulling a wagon that launches towards the sea teeming with a landfill. These girls have embroidered with silk threads of the new symbols forgotten and uncombed, restoring movement, sound and smell what the human egoism considers just put in the shelves of oblivion.
not see with one eye it is observed with two. " Data" is why the recalibration rebalancing, the stimulus to the observer so that exacerbates the spontaneity of its ironic sensibility. How many objects, sounds fine, stray sounds, smells shrunken, signals fading daily to escape our attention? Too many, and very decisive. not to give birth the usual banalities of modern miscellanies, but to sip and savor the taste sticky yet beguiling the time with no need to strip recession. The weather does not stop, man. Resplendent as the importance of this insight had from these artists that consists of removing the dust that seems soporific motionless and perishable, that is intended to narrow the fate of attrition, the absorption of the same immobility. Giving shape and contour, space and driving in what was, and now no longer necessary is the goal of this intervention. I am reminded of what What are the clouds and the puppets scrambled Pasolini by pulling a wagon that launches towards the sea teeming with a landfill. These girls have embroidered with silk threads of the new symbols forgotten and uncombed, restoring movement, sound and smell what the human egoism considers just put in the shelves of oblivion.
gangrenous Who knows what the sound will be heard by human infants cloudy slots ready to mow lives, for defense or attack. Cannons roaring! gunpowder, dedicated to hatred and not science lenitrice! raps to rape the clear sky or drops of rain thickened lubricant. And now, the dark now historic architecture, palliative shots coming from other countries, beyond any border ... from around the globe. Images of a single life, a flower, able to rise and fade, to wither in the hot autumn and stentorian generosity rigemmare the anthology in the spring. A new, universal syntax, that of these young artists who do not collect but lead, which describe but do not explain the universe upset the natural balance. As if to say that every effort dedicated to the memory, the collection, not frustrates even inside a gorge that was fatal factor motes. So life and death, which portray in sharp images, existing foreign and extended. This installation becomes very place of cataloging, such as a memory steel, but more accurate and less extinction of the human. The man does not survive his death if not what he did or left. Almost as if to say, that the image of the easiest flowers bears within it the secrets of history hissing and rebirth.
gangrenous Who knows what the sound will be heard by human infants cloudy slots ready to mow lives, for defense or attack. Cannons roaring! gunpowder, dedicated to hatred and not science lenitrice! raps to rape the clear sky or drops of rain thickened lubricant. And now, the dark now historic architecture, palliative shots coming from other countries, beyond any border ... from around the globe. Images of a single life, a flower, able to rise and fade, to wither in the hot autumn and stentorian generosity rigemmare the anthology in the spring. A new, universal syntax, that of these young artists who do not collect but lead, which describe but do not explain the universe upset the natural balance. As if to say that every effort dedicated to the memory, the collection, not frustrates even inside a gorge that was fatal factor motes. So life and death, which portray in sharp images, existing foreign and extended. This installation becomes very place of cataloging, such as a memory steel, but more accurate and less extinction of the human. The man does not survive his death if not what he did or left. Almost as if to say, that the image of the easiest flowers bears within it the secrets of history hissing and rebirth.
