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Friday, December 11, 2009
Lumineers New York Price
Support us with PayPal at info@childrensfoundation.it
Your donation is a gesture of love for our children ...
Lumineers New York Price
Support us with PayPal at info@childrensfoundation.it
Your donation is a gesture of love for our children ...
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Thursday, November 5, 2009
Friday, October 23, 2009
Dark Green Short Poofy Dress
SOTTOSCORRE
exhibition project curated by ...
Marta Papini
contributions
Stefania Marconi
work of
MenteLocale
conceptual Many elements of the city of Bologna escape those who live it every day , maybe because they are discounted or simply hidden from view . This is the case of inland water, but many discrete, flow Felsineo underground, emerging from time to time, without a precise planning function. The historic center of Bologna is now more than a century of theater that outsourcing phenomenon common to many urban centers, which gradually dispersed and obscured the glorious industrial past - and industry - the city. The link between productive activities, in particular the production and trade of silk screens, pride of the town in the centuries from the fourteenth to the nineteenth, and waterways, today mostly tombs, which fed a hundred and spinning mills, was decisive for the economic and social history of Bologna. A peculiarity of the art the last decades is the close intertwining work / public / site, intended as a physical space rather than passive and indifferent artistic intervention, but interacting with it. The art so agreement with its practices and its voltage ibridazionali multimedia to inhabit the space, extends toward the viewer and is necessary to it in the places of everyday life, without giving him a choice. material on which to model and interact with is the real space, and relationships that converge there, ie the geographical location and the target communities thought capable, through a series references, to act indirectly through its history, symbolic content and the specific memory of the place. The effect is so artistic intervention generally unsettling , forcing the inhabitants themselves to read with new eyes the context territorial belonging. Often mistakenly regarded as the panacea (low cost) to address emergencies that characterize the evolution of cities, public art instead task of pointing out situations, using the processes of disclosure and directly involving the 'party potential (see Gianuizzi, 2008). Within this theoretical framework, the underground Bologna, Bologna the water mills and old, now destroyed, fully part in the series of places "indifferent" to citizens. Through the raid public art landmarks emerge of economic and social history of their city, as well as the old urban , thus enabling the recognition and appreciation . At four selected artists, brought together into one collective Mentelocale, was asked to intervene in the public space in so that it becomes clear the difference between the present situation and the historical through an intervention that question over and do the occasional passer , thus turning them into the audience. Individual contributions can not be separated dall'unitarietà of the project, which has as its ultimate goal the rediscovery and reappraisal of a common heritage of the city.
exhibition
The project involves the rediscovery of some places where once
produced the silk spinning five (no longer existing) selected among the hundreds reported
from ancient maps and mentioned in the records of past centuries
land. Five
sound installations that reproduce the sound of running water in the basement, turn on the waning of the sun
to coincide with the decline of the hustle and bustle, remember
night of old activities. The locations are indicated by five
graphic icons which illustrate, by analogy, the life cycle of the silkworm silk
and indirectly the production cycle that follows.
The installed location is divided into five stages: from egg deposition
by the butterfly cocoon until done, from which you extracted the
silk filament, which was then treated using the driving force
water. To complement the project includes the construction of postcards
distruibuite-driving in places of strong
passage of the city, as well as a blog devoted to the intervention.
conceptual starting point is the fascination and curiosity that inspires
the anatomy of the hidden canals and the history of the silk mills,
formerly located along the banks of the Rhine and Cavaticcio channels,
now covered by road, crossing the district today
identify - no coincidence - as the Arts Factory
The project aims to be educational in intent, let alone
accurate philological reconstruction, but will build a network of viable suggestions
that cause displacement in the user
and at the same time they want to spark a discussion.
The five facilities are to be interpreted as evidence that polysemous
, boosting eyesight and hearing, enhance what is unseen and not
you feel, because destroyed over time, in the case of mills, or because
basement, in the case of inland of water. The report
essential to place the impossibility
for the project to be exported to other sites or contexts: This determines
the uniqueness and the most common
clear distance from the idea of \u200b\u200bartistic intervention in urban space.
Places
points installation five (as per map),
selected near the site of the mills.
The area affected by the work is identified with a portion of the district
Porto, close to the Manufacture of Arts
Times
The complex installations for a period of a month.
exhibition project curated by ...
Marta Papini
contributions
Stefania Marconi
work of
MenteLocale
conceptual Many elements of the city of Bologna escape those who live it every day , maybe because they are discounted or simply hidden from view . This is the case of inland water, but many discrete, flow Felsineo underground, emerging from time to time, without a precise planning function. The historic center of Bologna is now more than a century of theater that outsourcing phenomenon common to many urban centers, which gradually dispersed and obscured the glorious industrial past - and industry - the city. The link between productive activities, in particular the production and trade of silk screens, pride of the town in the centuries from the fourteenth to the nineteenth, and waterways, today mostly tombs, which fed a hundred and spinning mills, was decisive for the economic and social history of Bologna. A peculiarity of the art the last decades is the close intertwining work / public / site, intended as a physical space rather than passive and indifferent artistic intervention, but interacting with it. The art so agreement with its practices and its voltage ibridazionali multimedia to inhabit the space, extends toward the viewer and is necessary to it in the places of everyday life, without giving him a choice. material on which to model and interact with is the real space, and relationships that converge there, ie the geographical location and the target communities thought capable, through a series references, to act indirectly through its history, symbolic content and the specific memory of the place. The effect is so artistic intervention generally unsettling , forcing the inhabitants themselves to read with new eyes the context territorial belonging. Often mistakenly regarded as the panacea (low cost) to address emergencies that characterize the evolution of cities, public art instead task of pointing out situations, using the processes of disclosure and directly involving the 'party potential (see Gianuizzi, 2008). Within this theoretical framework, the underground Bologna, Bologna the water mills and old, now destroyed, fully part in the series of places "indifferent" to citizens. Through the raid public art landmarks emerge of economic and social history of their city, as well as the old urban , thus enabling the recognition and appreciation . At four selected artists, brought together into one collective Mentelocale, was asked to intervene in the public space in so that it becomes clear the difference between the present situation and the historical through an intervention that question over and do the occasional passer , thus turning them into the audience. Individual contributions can not be separated dall'unitarietà of the project, which has as its ultimate goal the rediscovery and reappraisal of a common heritage of the city.
exhibition
The project involves the rediscovery of some places where once
produced the silk spinning five (no longer existing) selected among the hundreds reported
from ancient maps and mentioned in the records of past centuries
land. Five
sound installations that reproduce the sound of running water in the basement, turn on the waning of the sun
to coincide with the decline of the hustle and bustle, remember
night of old activities. The locations are indicated by five
graphic icons which illustrate, by analogy, the life cycle of the silkworm silk
and indirectly the production cycle that follows.
The installed location is divided into five stages: from egg deposition
by the butterfly cocoon until done, from which you extracted the
silk filament, which was then treated using the driving force
water. To complement the project includes the construction of postcards
distruibuite-driving in places of strong
passage of the city, as well as a blog devoted to the intervention.
conceptual starting point is the fascination and curiosity that inspires
the anatomy of the hidden canals and the history of the silk mills,
formerly located along the banks of the Rhine and Cavaticcio channels,
now covered by road, crossing the district today
identify - no coincidence - as the Arts Factory
The project aims to be educational in intent, let alone
accurate philological reconstruction, but will build a network of viable suggestions
that cause displacement in the user
and at the same time they want to spark a discussion.
The five facilities are to be interpreted as evidence that polysemous
, boosting eyesight and hearing, enhance what is unseen and not
you feel, because destroyed over time, in the case of mills, or because
basement, in the case of inland of water. The report
essential to place the impossibility
for the project to be exported to other sites or contexts: This determines
the uniqueness and the most common
clear distance from the idea of \u200b\u200bartistic intervention in urban space.
Places
points installation five (as per map),
selected near the site of the mills.
The area affected by the work is identified with a portion of the district
Porto, close to the Manufacture of Arts
Times
The complex installations for a period of a month.
Dark Green Short Poofy Dress
SOTTOSCORRE
exhibition project curated by ...
Marta Papini
contributions
Stefania Marconi
work of
MenteLocale
conceptual Many elements of the city of Bologna escape those who live it every day , maybe because they are discounted or simply hidden from view . This is the case of inland water, but many discrete, flow Felsineo underground, emerging from time to time, without a precise planning function. The historic center of Bologna is now more than a century of theater that outsourcing phenomenon common to many urban centers, which gradually dispersed and obscured the glorious industrial past - and industry - the city. The link between productive activities, in particular the production and trade of silk screens, pride of the town in the centuries from the fourteenth to the nineteenth, and waterways, today mostly tombs, which fed a hundred and spinning mills, was decisive for the economic and social history of Bologna. A peculiarity of the art the last decades is the close intertwining work / public / site, intended as a physical space rather than passive and indifferent artistic intervention, but interacting with it. The art so agreement with its practices and its voltage ibridazionali multimedia to inhabit the space, extends toward the viewer and is necessary to it in the places of everyday life, without giving him a choice. material on which to model and interact with is the real space, and relationships that converge there, ie the geographical location and the target communities thought capable, through a series references, to act indirectly through its history, symbolic content and the specific memory of the place. The effect is so artistic intervention generally unsettling , forcing the inhabitants themselves to read with new eyes the context territorial belonging. Often mistakenly regarded as the panacea (low cost) to address emergencies that characterize the evolution of cities, public art instead task of pointing out situations, using the processes of disclosure and directly involving the 'party potential (see Gianuizzi, 2008). Within this theoretical framework, the underground Bologna, Bologna the water mills and old, now destroyed, fully part in the series of places "indifferent" to citizens. Through the raid public art landmarks emerge of economic and social history of their city, as well as the old urban , thus enabling the recognition and appreciation . At four selected artists, brought together into one collective Mentelocale, was asked to intervene in the public space in so that it becomes clear the difference between the present situation and the historical through an intervention that question over and do the occasional passer , thus turning them into the audience. Individual contributions can not be separated dall'unitarietà of the project, which has as its ultimate goal the rediscovery and reappraisal of a common heritage of the city.
exhibition
The project involves the rediscovery of some places where once
produced the silk spinning five (no longer existing) selected among the hundreds reported
from ancient maps and mentioned in the records of past centuries
land. Five
sound installations that reproduce the sound of running water in the basement, turn on the waning of the sun
to coincide with the decline of the hustle and bustle, remember
night of old activities. The locations are indicated by five
graphic icons which illustrate, by analogy, the life cycle of the silkworm silk
and indirectly the production cycle that follows.
The installed location is divided into five stages: from egg deposition
by the butterfly cocoon until done, from which you extracted the
silk filament, which was then treated using the driving force
water. To complement the project includes the construction of postcards
distruibuite-driving in places of strong
passage of the city, as well as a blog devoted to the intervention.
conceptual starting point is the fascination and curiosity that inspires
the anatomy of the hidden canals and the history of the silk mills,
formerly located along the banks of the Rhine and Cavaticcio channels,
now covered by road, crossing the district today
identify - no coincidence - as the Arts Factory
The project aims to be educational in intent, let alone
accurate philological reconstruction, but will build a network of viable suggestions
that cause displacement in the user
and at the same time they want to spark a discussion.
The five facilities are to be interpreted as evidence that polysemous
, boosting eyesight and hearing, enhance what is unseen and not
you feel, because destroyed over time, in the case of mills, or because
basement, in the case of inland of water. The report
essential to place the impossibility
for the project to be exported to other sites or contexts: This determines
the uniqueness and the most common
clear distance from the idea of \u200b\u200bartistic intervention in urban space.
Places
points installation five (as per map),
selected near the site of the mills.
The area affected by the work is identified with a portion of the district
Porto, close to the Manufacture of Arts
Times
The complex installations for a period of a month.
exhibition project curated by ...
Marta Papini
contributions
Stefania Marconi
work of
MenteLocale
conceptual Many elements of the city of Bologna escape those who live it every day , maybe because they are discounted or simply hidden from view . This is the case of inland water, but many discrete, flow Felsineo underground, emerging from time to time, without a precise planning function. The historic center of Bologna is now more than a century of theater that outsourcing phenomenon common to many urban centers, which gradually dispersed and obscured the glorious industrial past - and industry - the city. The link between productive activities, in particular the production and trade of silk screens, pride of the town in the centuries from the fourteenth to the nineteenth, and waterways, today mostly tombs, which fed a hundred and spinning mills, was decisive for the economic and social history of Bologna. A peculiarity of the art the last decades is the close intertwining work / public / site, intended as a physical space rather than passive and indifferent artistic intervention, but interacting with it. The art so agreement with its practices and its voltage ibridazionali multimedia to inhabit the space, extends toward the viewer and is necessary to it in the places of everyday life, without giving him a choice. material on which to model and interact with is the real space, and relationships that converge there, ie the geographical location and the target communities thought capable, through a series references, to act indirectly through its history, symbolic content and the specific memory of the place. The effect is so artistic intervention generally unsettling , forcing the inhabitants themselves to read with new eyes the context territorial belonging. Often mistakenly regarded as the panacea (low cost) to address emergencies that characterize the evolution of cities, public art instead task of pointing out situations, using the processes of disclosure and directly involving the 'party potential (see Gianuizzi, 2008). Within this theoretical framework, the underground Bologna, Bologna the water mills and old, now destroyed, fully part in the series of places "indifferent" to citizens. Through the raid public art landmarks emerge of economic and social history of their city, as well as the old urban , thus enabling the recognition and appreciation . At four selected artists, brought together into one collective Mentelocale, was asked to intervene in the public space in so that it becomes clear the difference between the present situation and the historical through an intervention that question over and do the occasional passer , thus turning them into the audience. Individual contributions can not be separated dall'unitarietà of the project, which has as its ultimate goal the rediscovery and reappraisal of a common heritage of the city.
exhibition
The project involves the rediscovery of some places where once
produced the silk spinning five (no longer existing) selected among the hundreds reported
from ancient maps and mentioned in the records of past centuries
land. Five
sound installations that reproduce the sound of running water in the basement, turn on the waning of the sun
to coincide with the decline of the hustle and bustle, remember
night of old activities. The locations are indicated by five
graphic icons which illustrate, by analogy, the life cycle of the silkworm silk
and indirectly the production cycle that follows.
The installed location is divided into five stages: from egg deposition
by the butterfly cocoon until done, from which you extracted the
silk filament, which was then treated using the driving force
water. To complement the project includes the construction of postcards
distruibuite-driving in places of strong
passage of the city, as well as a blog devoted to the intervention.
conceptual starting point is the fascination and curiosity that inspires
the anatomy of the hidden canals and the history of the silk mills,
formerly located along the banks of the Rhine and Cavaticcio channels,
now covered by road, crossing the district today
identify - no coincidence - as the Arts Factory
The project aims to be educational in intent, let alone
accurate philological reconstruction, but will build a network of viable suggestions
that cause displacement in the user
and at the same time they want to spark a discussion.
The five facilities are to be interpreted as evidence that polysemous
, boosting eyesight and hearing, enhance what is unseen and not
you feel, because destroyed over time, in the case of mills, or because
basement, in the case of inland of water. The report
essential to place the impossibility
for the project to be exported to other sites or contexts: This determines
the uniqueness and the most common
clear distance from the idea of \u200b\u200bartistic intervention in urban space.
Places
points installation five (as per map),
selected near the site of the mills.
The area affected by the work is identified with a portion of the district
Porto, close to the Manufacture of Arts
Times
The complex installations for a period of a month.
Monday, October 19, 2009
What Kind Of Oil Do I Use On My Wahl Clippers
165 Beats
on an old chestnut tree that has most of its trunk and a few dead branches of live young, a sentence taken from the last video interview created by Enzo Biagi. The phrase that becomes a mark in time, a hymn to freedom of expression.
"... in this case to tell a story that goes beyond my insignificant person and includes the u key issue, that of freedom of expression ..."
What Kind Of Oil Do I Use On My Wahl Clippers
165 Beats
on an old chestnut tree that has most of its trunk and a few dead branches of live young, a sentence taken from the last video interview created by Enzo Biagi. The phrase that becomes a mark in time, a hymn to freedom of expression.
"... in this case to tell a story that goes beyond my insignificant person and includes the u key issue, that of freedom of expression ..."
Sunday, April 19, 2009
Digital Playground Movies .com
MenteLocale proposes: PHOTO LAB on the paths of memory, led by Gianni Gosdan. Montesole, 20/21/22 April 2009
This that the photograph reproduces to infinity has occurred only one time: it repeats mechanically what can never be repeated existentially
(Roland Barthes, Camera Lucida)
Photography has always had a close relationship with the memory. Fix a moment and make it eternal object is its prerogative. As Roland Barthes announced the noema Photograph "was" the person photographed photographic image that is read is already looking towards a future past.
The image is the actual memory of what our eye has seen and heard our thoughts.
Montesole is a place of memory, especially memories of personal feelings that everybody feels differently. It 's a place created for how we live today, the memory of many, often without memory of contradictions due to different experiences.
photographing this place the feel of each project is taken on the image, which becomes a testimony of personal experience, however, in connection with a place for everyone who scored and marks the lives of many people.
The research to be proposed in this laboratory is a research varies. Not necessarily linked to the story but rather the feelings that accompanied each of the test participants on the spot. They may relate to the landscape, people who live or lived there, or just with what surrounds them "living" Park Montesole.
This that the photograph reproduces to infinity has occurred only one time: it repeats mechanically what can never be repeated existentially
(Roland Barthes, Camera Lucida)
Photography has always had a close relationship with the memory. Fix a moment and make it eternal object is its prerogative. As Roland Barthes announced the noema Photograph "was" the person photographed photographic image that is read is already looking towards a future past.
The image is the actual memory of what our eye has seen and heard our thoughts.
Montesole is a place of memory, especially memories of personal feelings that everybody feels differently. It 's a place created for how we live today, the memory of many, often without memory of contradictions due to different experiences.
photographing this place the feel of each project is taken on the image, which becomes a testimony of personal experience, however, in connection with a place for everyone who scored and marks the lives of many people.
The research to be proposed in this laboratory is a research varies. Not necessarily linked to the story but rather the feelings that accompanied each of the test participants on the spot. They may relate to the landscape, people who live or lived there, or just with what surrounds them "living" Park Montesole.
Digital Playground Movies .com
MenteLocale proposes: PHOTO LAB on the paths of memory, led by Gianni Gosdan. Montesole, 20/21/22 April 2009
This that the photograph reproduces to infinity has occurred only one time: it repeats mechanically what can never be repeated existentially
(Roland Barthes, Camera Lucida)
Photography has always had a close relationship with the memory. Fix a moment and make it eternal object is its prerogative. As Roland Barthes announced the noema Photograph "was" the person photographed photographic image that is read is already looking towards a future past.
The image is the actual memory of what our eye has seen and heard our thoughts.
Montesole is a place of memory, especially memories of personal feelings that everybody feels differently. It 's a place created for how we live today, the memory of many, often without memory of contradictions due to different experiences.
photographing this place the feel of each project is taken on the image, which becomes a testimony of personal experience, however, in connection with a place for everyone who scored and marks the lives of many people.
The research to be proposed in this laboratory is a research varies. Not necessarily linked to the story but rather the feelings that accompanied each of the test participants on the spot. They may relate to the landscape, people who live or lived there, or just with what surrounds them "living" Park Montesole.
This that the photograph reproduces to infinity has occurred only one time: it repeats mechanically what can never be repeated existentially
(Roland Barthes, Camera Lucida)
Photography has always had a close relationship with the memory. Fix a moment and make it eternal object is its prerogative. As Roland Barthes announced the noema Photograph "was" the person photographed photographic image that is read is already looking towards a future past.
The image is the actual memory of what our eye has seen and heard our thoughts.
Montesole is a place of memory, especially memories of personal feelings that everybody feels differently. It 's a place created for how we live today, the memory of many, often without memory of contradictions due to different experiences.
photographing this place the feel of each project is taken on the image, which becomes a testimony of personal experience, however, in connection with a place for everyone who scored and marks the lives of many people.
The research to be proposed in this laboratory is a research varies. Not necessarily linked to the story but rather the feelings that accompanied each of the test participants on the spot. They may relate to the landscape, people who live or lived there, or just with what surrounds them "living" Park Montesole.
Thursday, April 16, 2009
History Of Logins On Facebook
THE ANSWER TO OUR CALL ON THE PRESIDENT OF THE ROOM. G. FOR
From: @ segr.pres.fini camera.it
To: President @ childrensfounda tion.it
Date: Wed, 15 Apr 2009 17:53:28 +0200
Dear President,
the President of the Chamber of Deputies, Gianfranco Fini, has
receipt of your e-mail and has taken note of what he intended
represent them.
like you to know, in this respect that the President,
possesses the competence of any institution, can not take
initiatives in the way you hoped and has therefore ordered that
copy of his e-mail to be forwarded to the Parliamentary Committee competent
so that the Members who are parties may inspect and take actions they deem appropriate.
The President sends you cordial know Luti.
Secretariat of the President 
From: @ segr.pres.fini camera.it
To: President @ childrensfounda
Date: Wed, 15 Apr 2009 17:53:28 +0200
Dear President,
the President of the Chamber of Deputies, Gianfranco Fini, has
receipt of your e-mail and has taken note of what he intended
represent them.
like you to know, in this respect that the President,
possesses the competence of any institution, can not take
initiatives in the way you hoped and has therefore ordered that
copy of his e-mail to be forwarded to the Parliamentary Committee competent
so that the Members who are parties may inspect and take actions they deem appropriate.
The President sends you cordial know Luti.
Secretariat of the President
History Of Logins On Facebook
THE ANSWER TO OUR CALL ON THE PRESIDENT OF THE ROOM. G. FOR
From: @ segr.pres.fini camera.it
To: President @ childrensfounda tion.it
Date: Wed, 15 Apr 2009 17:53:28 +0200
Dear President,
the President of the Chamber of Deputies, Gianfranco Fini, has
receipt of your e-mail and has taken note of what he intended
represent them.
like you to know, in this respect that the President,
possesses the competence of any institution, can not take
initiatives in the way you hoped and has therefore ordered that
copy of his e-mail to be forwarded to the Parliamentary Committee competent
so that the Members who are parties may inspect and take actions they deem appropriate.
The President sends you cordial know Luti.
Secretariat of the President
From: @ segr.pres.fini camera.it
To: President @ childrensfounda
Date: Wed, 15 Apr 2009 17:53:28 +0200
Dear President,
the President of the Chamber of Deputies, Gianfranco Fini, has
receipt of your e-mail and has taken note of what he intended
represent them.
like you to know, in this respect that the President,
possesses the competence of any institution, can not take
initiatives in the way you hoped and has therefore ordered that
copy of his e-mail to be forwarded to the Parliamentary Committee competent
so that the Members who are parties may inspect and take actions they deem appropriate.
The President sends you cordial know Luti.
Secretariat of the President
Monday, March 23, 2009
Stephen Fry Harry Potter Audiobook
event in Naples for the rights of minors and the crisis in the residential facilities for non-payment of entities.
Following the severe economic crisis occurred for many organizations operating in our industry due to delayed payments by government and especially given the lack of institutional considerations in respect of those working in the front line with the less fortunate, is invited to participate in a single event to be held in Naples on 30/03/2009. Events in the square will also attend the Hon. Mussolini as chairman of the bicameral committee on the Rights of the Child.
The event will be organized as follows:
Day 30.03 to 11.30 rally in S. Lucia in Naples in the Campania region of the palace;
continue the march in step with the square of the Plebiscite prefecture and then on Town Hall Square where a rally will be held on the state sector.
will need to ensure maximum presence of all the associations, of all bodies of the third sector because this is and must remain without a protest color to get a right common to all of us. 
Following the severe economic crisis occurred for many organizations operating in our industry due to delayed payments by government and especially given the lack of institutional considerations in respect of those working in the front line with the less fortunate, is invited to participate in a single event to be held in Naples on 30/03/2009. Events in the square will also attend the Hon. Mussolini as chairman of the bicameral committee on the Rights of the Child.
The event will be organized as follows:
Day 30.03 to 11.30 rally in S. Lucia in Naples in the Campania region of the palace;
continue the march in step with the square of the Plebiscite prefecture and then on Town Hall Square where a rally will be held on the state sector.
will need to ensure maximum presence of all the associations, of all bodies of the third sector because this is and must remain without a protest color to get a right common to all of us.
Stephen Fry Harry Potter Audiobook
event in Naples for the rights of minors and the crisis in the residential facilities for non-payment of entities.
Following the severe economic crisis occurred for many organizations operating in our industry due to delayed payments by government and especially given the lack of institutional considerations in respect of those working in the front line with the less fortunate, is invited to participate in a single event to be held in Naples on 30/03/2009. Events in the square will also attend the Hon. Mussolini as chairman of the bicameral committee on the Rights of the Child.
The event will be organized as follows:
Day 30.03 to 11.30 rally in S. Lucia in Naples in the Campania region of the palace;
continue the march in step with the square of the Plebiscite prefecture and then on Town Hall Square where a rally will be held on the state sector.
will need to ensure maximum presence of all the associations, of all bodies of the third sector because this is and must remain without a protest color to get a right common to all of us.
Following the severe economic crisis occurred for many organizations operating in our industry due to delayed payments by government and especially given the lack of institutional considerations in respect of those working in the front line with the less fortunate, is invited to participate in a single event to be held in Naples on 30/03/2009. Events in the square will also attend the Hon. Mussolini as chairman of the bicameral committee on the Rights of the Child.
The event will be organized as follows:
Day 30.03 to 11.30 rally in S. Lucia in Naples in the Campania region of the palace;
continue the march in step with the square of the Plebiscite prefecture and then on Town Hall Square where a rally will be held on the state sector.
will need to ensure maximum presence of all the associations, of all bodies of the third sector because this is and must remain without a protest color to get a right common to all of us.
Pirates Of The Caribbean Quitar Chords
Join us on Facebook! The
http://www.facebook.com/group.php?gid=59192313878&ref=mf
We need to continue to grow to be increasingly present in Italy and worldwide family homes, reception centers. To make this possible need for new energy and a real commitment to pursuing all of our projects, our hope is that more and more people to join us in helping the weak.
HELP YOU SUPPORTING OUR HOUSE
...............( 0 0) .---
OOO - (_)-----.
╔ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╗
...............( 0 0) .---
OOO - (_)-----.
╔ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╗
║ INVITE ALL YOUR FRIENDS ║
╚ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╝
╚ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╝
'---------------------- OOO
........
........
Pirates Of The Caribbean Quitar Chords
Join us on Facebook! The
http://www.facebook.com/group.php?gid=59192313878&ref=mf
We need to continue to grow to be increasingly present in Italy and worldwide family homes, reception centers. To make this possible need for new energy and a real commitment to pursuing all of our projects, our hope is that more and more people to join us in helping the weak.
HELP YOU SUPPORTING OUR HOUSE
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OOO - (_)-----.
╔ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╗
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OOO - (_)-----.
╔ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╗
║ INVITE ALL YOUR FRIENDS ║
╚ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╝
╚ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ═ ╝
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Thursday, January 15, 2009
Kurta And Sharwani In Dubai
an urban network
Mentelocale
Bandinu.Camaggi.Finelli.Guerinoni
Project A - Urban Network
Technical
The project involves an interaction with the users through an active exchange - ideal and practical - of city driving that begins with the recall from the railway station and the office of tourism to a small map of the city contained in a vending machine. On one side of the map will be marked in a way dear to the artist who wants to share with the users. On the other side will be shown the map of the city without default paths, on which the user can draw a path or signal entirely free of a city that has particularly affected. Will then be asked to return at the point of collection your own map.
will happen in this way an exchange of tracks, a self-giving experiences, walkways or city views.
from vending machines (similar to those for sweets) will be available the maps contained in plastic balls with the addition of a small pencil to chart their own path. Each artist indicates a specific place in Bologna, in fact, the distributors will present four different versions of tracks. The maps will be submitted by the visitor in a totally random.
points or paths that we reported on the spot will be marked by interventions aimed at highlighting the location without changing its identity. Do not pretend to impose his own personality to the place but rather to add something unusual to draw attention to a particular part of the city (For example, spotlights and stage lights to a certain view, add to the tolling of a clock Galiero every hour on the bridge near the Clocks "dumb" to the station, flavored with a strong smell of bread or a way to install sound of car horns in the parks or in areas with limited traffic).
The artist does not claim to monopolize user's visit to the city, much less invasive way to intervene in the territory, but simply to give an unusual and poetic moment.
paths that users will want to tell us how to "own" will be picked up again near the center where you can pick up maps and will become part of a sort of virtual archive of possible mental maps city. 
Mentelocale
Bandinu.Camaggi.Finelli.Guerinoni
Project A - Urban Network
Technical
The project involves an interaction with the users through an active exchange - ideal and practical - of city driving that begins with the recall from the railway station and the office of tourism to a small map of the city contained in a vending machine. On one side of the map will be marked in a way dear to the artist who wants to share with the users. On the other side will be shown the map of the city without default paths, on which the user can draw a path or signal entirely free of a city that has particularly affected. Will then be asked to return at the point of collection your own map.
will happen in this way an exchange of tracks, a self-giving experiences, walkways or city views.
from vending machines (similar to those for sweets) will be available the maps contained in plastic balls with the addition of a small pencil to chart their own path. Each artist indicates a specific place in Bologna, in fact, the distributors will present four different versions of tracks. The maps will be submitted by the visitor in a totally random.
points or paths that we reported on the spot will be marked by interventions aimed at highlighting the location without changing its identity. Do not pretend to impose his own personality to the place but rather to add something unusual to draw attention to a particular part of the city (For example, spotlights and stage lights to a certain view, add to the tolling of a clock Galiero every hour on the bridge near the Clocks "dumb" to the station, flavored with a strong smell of bread or a way to install sound of car horns in the parks or in areas with limited traffic).
The artist does not claim to monopolize user's visit to the city, much less invasive way to intervene in the territory, but simply to give an unusual and poetic moment.
paths that users will want to tell us how to "own" will be picked up again near the center where you can pick up maps and will become part of a sort of virtual archive of possible mental maps city.
Kurta And Sharwani In Dubai
an urban network
Mentelocale
Bandinu.Camaggi.Finelli.Guerinoni
Project A - Urban Network
Technical
The project involves an interaction with the users through an active exchange - ideal and practical - of city driving that begins with the recall from the railway station and the office of tourism to a small map of the city contained in a vending machine. On one side of the map will be marked in a way dear to the artist who wants to share with the users. On the other side will be shown the map of the city without default paths, on which the user can draw a path or signal entirely free of a city that has particularly affected. Will then be asked to return at the point of collection your own map.
will happen in this way an exchange of tracks, a self-giving experiences, walkways or city views.
from vending machines (similar to those for sweets) will be available the maps contained in plastic balls with the addition of a small pencil to chart their own path. Each artist indicates a specific place in Bologna, in fact, the distributors will present four different versions of tracks. The maps will be submitted by the visitor in a totally random.
points or paths that we reported on the spot will be marked by interventions aimed at highlighting the location without changing its identity. Do not pretend to impose his own personality to the place but rather to add something unusual to draw attention to a particular part of the city (For example, spotlights and stage lights to a certain view, add to the tolling of a clock Galiero every hour on the bridge near the Clocks "dumb" to the station, flavored with a strong smell of bread or a way to install sound of car horns in the parks or in areas with limited traffic).
The artist does not claim to monopolize user's visit to the city, much less invasive way to intervene in the territory, but simply to give an unusual and poetic moment.
paths that users will want to tell us how to "own" will be picked up again near the center where you can pick up maps and will become part of a sort of virtual archive of possible mental maps city.
Mentelocale
Bandinu.Camaggi.Finelli.Guerinoni
Project A - Urban Network
Technical
The project involves an interaction with the users through an active exchange - ideal and practical - of city driving that begins with the recall from the railway station and the office of tourism to a small map of the city contained in a vending machine. On one side of the map will be marked in a way dear to the artist who wants to share with the users. On the other side will be shown the map of the city without default paths, on which the user can draw a path or signal entirely free of a city that has particularly affected. Will then be asked to return at the point of collection your own map.
will happen in this way an exchange of tracks, a self-giving experiences, walkways or city views.
from vending machines (similar to those for sweets) will be available the maps contained in plastic balls with the addition of a small pencil to chart their own path. Each artist indicates a specific place in Bologna, in fact, the distributors will present four different versions of tracks. The maps will be submitted by the visitor in a totally random.
points or paths that we reported on the spot will be marked by interventions aimed at highlighting the location without changing its identity. Do not pretend to impose his own personality to the place but rather to add something unusual to draw attention to a particular part of the city (For example, spotlights and stage lights to a certain view, add to the tolling of a clock Galiero every hour on the bridge near the Clocks "dumb" to the station, flavored with a strong smell of bread or a way to install sound of car horns in the parks or in areas with limited traffic).
The artist does not claim to monopolize user's visit to the city, much less invasive way to intervene in the territory, but simply to give an unusual and poetic moment.
paths that users will want to tell us how to "own" will be picked up again near the center where you can pick up maps and will become part of a sort of virtual archive of possible mental maps city.
Crowded Bus Groping Vid
LGW light water glass
Changed
Proget tion urban intervention 
Changed
Proget
his identity is not at issue here, or you are talking to renew the image of the city, the project is aimed at a re-establishment of the common, shared by the inhabitants, situated on the ground floor.
The area of \u200b\u200bintervention moves from outside to inside the building. Besides water, which has always been a factor for bringing people together will be the light emanating from the same floor, refill the space, the third element of the project instead sampietrino. The latter type of flooring leads immediately the old town, the pavement should be so traditional to bind not only the indoor-outdoor area, but also express a weld with the heart of the city. In addition, this type of surface, in contrast to the usual wash floors, take the challenge to upgrade: from trivial gallery of transit through a place of business experience and encounter.
Project:
The idea of \u200b\u200brehabilitation of the area is actually a "rethink" in a harmonious way a texture that creates an environment that illuminates the gallery building. Through a systematic interaction between people and space, you change - not purport to alter the volume of the building - the very image of the housing unit, re-evaluating the dynamic the interplay of solids and voids.
The project covers the walls and anchors, but focuses mainly on the pavement, the order proposed architecture is characterized by horizontality in fact: from the transparency of glass, alternating with a paving stone and through the historic light neon, the aim is to change the overall appearance of the building.
The intervention areas identified within the block housing are:
A) Flooring: feature of the intervention is to involve the entire area unified through a water channeled, as a kind of heart, flows inside. The horizontal trend affects not usually in place while remaining light. That is why the idea is to rethink a floor keeping its horizontality, ideally influence extending even to the whole building. In reference to its proximity to the city center, we propose a general re-paving with cobblestones or typical of Modena with cobblestones. The pavement will be off a small funnel shaped dynamics that will unfold over the entire surface and will be illuminated by a binary structure composed neon colors. The neon will have to follow the whole course of the river on both sides and can switch to different wheel colors. At the level of the floor the waterway will be placed under the transparent panels. It would create the illusion of walking on water and light, harmonizing the area of \u200b\u200btransparency with the rough stone floor.
B) The river: performance with dynamic and convoluted form, the water flows driven by a pump in an ongoing, channeling around three hubs.
C) fulcrums:
1) Subs not used: backless marble with curved, consisting of two semicircular blocks placed opposite one another. The users will be able to sit their feet on the glass floor, ideally having the feeling of sitting on the fulcrum of convergence of waters at the area takes on a spiral course.
2) fountain made only by a jet from which to draw drinking water from the floor and spread with vertical movement, activated by a foot pedal .
3) The garden: in this area the project involves the design of a garden covered by transparent panels, placed below the pavement. Plants that make up the garden will be selected to withstand the weather and micro-climate has arisen under paintings.
D) Walls: the choice to keep the brick is functional to the enhancement of the floor. Along the perimeter of the upper wall and floor would be placed neon, or LED, can illuminate the entire course of the tunnel.
E) Painting outside the building total : small intestine. As a hypothetical, it would be interesting to offer a range of colors should be presented to the inhabitants.
Crowded Bus Groping Vid
LGW light water glass
Changed
Proget tion urban intervention
Changed
Proget
his identity is not at issue here, or you are talking to renew the image of the city, the project is aimed at a re-establishment of the common, shared by the inhabitants, situated on the ground floor.
The area of \u200b\u200bintervention moves from outside to inside the building. Besides water, which has always been a factor for bringing people together will be the light emanating from the same floor, refill the space, the third element of the project instead sampietrino. The latter type of flooring leads immediately the old town, the pavement should be so traditional to bind not only the indoor-outdoor area, but also express a weld with the heart of the city. In addition, this type of surface, in contrast to the usual wash floors, take the challenge to upgrade: from trivial gallery of transit through a place of business experience and encounter.
Project:
The idea of \u200b\u200brehabilitation of the area is actually a "rethink" in a harmonious way a texture that creates an environment that illuminates the gallery building. Through a systematic interaction between people and space, you change - not purport to alter the volume of the building - the very image of the housing unit, re-evaluating the dynamic the interplay of solids and voids.
The project covers the walls and anchors, but focuses mainly on the pavement, the order proposed architecture is characterized by horizontality in fact: from the transparency of glass, alternating with a paving stone and through the historic light neon, the aim is to change the overall appearance of the building.
The intervention areas identified within the block housing are:
A) Flooring: feature of the intervention is to involve the entire area unified through a water channeled, as a kind of heart, flows inside. The horizontal trend affects not usually in place while remaining light. That is why the idea is to rethink a floor keeping its horizontality, ideally influence extending even to the whole building. In reference to its proximity to the city center, we propose a general re-paving with cobblestones or typical of Modena with cobblestones. The pavement will be off a small funnel shaped dynamics that will unfold over the entire surface and will be illuminated by a binary structure composed neon colors. The neon will have to follow the whole course of the river on both sides and can switch to different wheel colors. At the level of the floor the waterway will be placed under the transparent panels. It would create the illusion of walking on water and light, harmonizing the area of \u200b\u200btransparency with the rough stone floor.
B) The river: performance with dynamic and convoluted form, the water flows driven by a pump in an ongoing, channeling around three hubs.
C) fulcrums:
1) Subs not used: backless marble with curved, consisting of two semicircular blocks placed opposite one another. The users will be able to sit their feet on the glass floor, ideally having the feeling of sitting on the fulcrum of convergence of waters at the area takes on a spiral course.
2) fountain made only by a jet from which to draw drinking water from the floor and spread with vertical movement, activated by a foot pedal .
3) The garden: in this area the project involves the design of a garden covered by transparent panels, placed below the pavement. Plants that make up the garden will be selected to withstand the weather and micro-climate has arisen under paintings.
D) Walls: the choice to keep the brick is functional to the enhancement of the floor. Along the perimeter of the upper wall and floor would be placed neon, or LED, can illuminate the entire course of the tunnel.
E) Painting outside the building total : small intestine. As a hypothetical, it would be interesting to offer a range of colors should be presented to the inhabitants.
Curtain Shortening Clips
monopanca
MONOPANCA
Mentelocale urban art project.
Bandinu.Brembilla.Camaggi.Finelli.Guerinoni
Location: Piazza Giuseppe Verdi and Piazzetta della Pioggia said in Bologna.
are places of threshold of the Roman quarter, exactly where was "the penultimate" ring of walls that stood between the late sixth and early thirteenth century. Squares on both the lack of benches makes it difficult and almost unnatural break.
Verdi Square is the center of the university, is a meeting point and crossroads, because of its nature in recent times almost ground to social strife between residents and students here in the absence of the pause becomes stationary benches. Yet paradoxically, the presence of benches could lend itself to reinforce the argument.
Square in the Rain is a place of transit, pedestrian and cycle especially, its very structure precludes ideally present the concept of rest, because about half the square is occupied by the road and the parking of motorcycles and bicycles.
Entities: on the floor of the Piazza offers available: a limited number of chairs-sculpture. These are the same shape, the single most common between the chairs: white plastic - chair terrace, garden, camping. An outdoor chair that became becomes public bench and having a single call MONOPANCA. The MONOPANCA will be produced - 1:1 scale - in white Carrara marble and sculptures will be located in both squares in the middle of the area apart from each other; other four, but stacked on each other, located in blocks near a column or pillar.
The users: they can swap the marble to plastic, taking the work to a common chair. The surprise will probably be delayed beyond the first present to the eye. The approach will be voluntary, even after repeated passages and will be in a sense willing and desiring. In addition there is a part of the work, MONOPANCHE ie do not stack, really usable as chairs-benches. In this case the user will enjoy a privileged position relative to other visitors to the square, then take a view interesting, perhaps unexpected. Convergence as innovation: the work has not slipped past more or less distant, even optimistic pushes one of the solutions for the future. The installation takes care to occupy the intermediate stage, that arises as a criticism and denunciation of the current state until it is genuinely thought a complete building work on piazze.Tuttavia the permanence of the position in the square has the size and same value as a monument; so here's a meaning in the use of marble: it is monumental.
Piazza roads and means of meeting people, but more fundamentally is to make "free" spaces, open, hospitable shore leave on the edge of the walkways.
overlapping the square the work is done by finding a convergence of historical sites and level of everyday life and in formal terms: the monumental MONOPANCA make the chair through its most popular, celebrated in practice the lack of ability to stop on the places .
mentelocale00@gmail.com 
MONOPANCA
Mentelocale urban art project.
Bandinu.Brembilla.Camaggi.Finelli.Guerinoni
Location: Piazza Giuseppe Verdi and Piazzetta della Pioggia said in Bologna.
are places of threshold of the Roman quarter, exactly where was "the penultimate" ring of walls that stood between the late sixth and early thirteenth century. Squares on both the lack of benches makes it difficult and almost unnatural break.
Verdi Square is the center of the university, is a meeting point and crossroads, because of its nature in recent times almost ground to social strife between residents and students here in the absence of the pause becomes stationary benches. Yet paradoxically, the presence of benches could lend itself to reinforce the argument.
Square in the Rain is a place of transit, pedestrian and cycle especially, its very structure precludes ideally present the concept of rest, because about half the square is occupied by the road and the parking of motorcycles and bicycles.
Entities: on the floor of the Piazza offers available: a limited number of chairs-sculpture. These are the same shape, the single most common between the chairs: white plastic - chair terrace, garden, camping. An outdoor chair that became becomes public bench and having a single call MONOPANCA. The MONOPANCA will be produced - 1:1 scale - in white Carrara marble and sculptures will be located in both squares in the middle of the area apart from each other; other four, but stacked on each other, located in blocks near a column or pillar.
The users: they can swap the marble to plastic, taking the work to a common chair. The surprise will probably be delayed beyond the first present to the eye. The approach will be voluntary, even after repeated passages and will be in a sense willing and desiring. In addition there is a part of the work, MONOPANCHE ie do not stack, really usable as chairs-benches. In this case the user will enjoy a privileged position relative to other visitors to the square, then take a view interesting, perhaps unexpected. Convergence as innovation: the work has not slipped past more or less distant, even optimistic pushes one of the solutions for the future. The installation takes care to occupy the intermediate stage, that arises as a criticism and denunciation of the current state until it is genuinely thought a complete building work on piazze.Tuttavia the permanence of the position in the square has the size and same value as a monument; so here's a meaning in the use of marble: it is monumental.
Piazza roads and means of meeting people, but more fundamentally is to make "free" spaces, open, hospitable shore leave on the edge of the walkways.
overlapping the square the work is done by finding a convergence of historical sites and level of everyday life and in formal terms: the monumental MONOPANCA make the chair through its most popular, celebrated in practice the lack of ability to stop on the places .
mentelocale00@gmail.com
Curtain Shortening Clips
monopanca
MONOPANCA
Mentelocale urban art project.
Bandinu.Brembilla.Camaggi.Finelli.Guerinoni
Location: Piazza Giuseppe Verdi and Piazzetta della Pioggia said in Bologna.
are places of threshold of the Roman quarter, exactly where was "the penultimate" ring of walls that stood between the late sixth and early thirteenth century. Squares on both the lack of benches makes it difficult and almost unnatural break.
Verdi Square is the center of the university, is a meeting point and crossroads, because of its nature in recent times almost ground to social strife between residents and students here in the absence of the pause becomes stationary benches. Yet paradoxically, the presence of benches could lend itself to reinforce the argument.
Square in the Rain is a place of transit, pedestrian and cycle especially, its very structure precludes ideally present the concept of rest, because about half the square is occupied by the road and the parking of motorcycles and bicycles.
Entities: on the floor of the Piazza offers available: a limited number of chairs-sculpture. These are the same shape, the single most common between the chairs: white plastic - chair terrace, garden, camping. An outdoor chair that became becomes public bench and having a single call MONOPANCA. The MONOPANCA will be produced - 1:1 scale - in white Carrara marble and sculptures will be located in both squares in the middle of the area apart from each other; other four, but stacked on each other, located in blocks near a column or pillar.
The users: they can swap the marble to plastic, taking the work to a common chair. The surprise will probably be delayed beyond the first present to the eye. The approach will be voluntary, even after repeated passages and will be in a sense willing and desiring. In addition there is a part of the work, MONOPANCHE ie do not stack, really usable as chairs-benches. In this case the user will enjoy a privileged position relative to other visitors to the square, then take a view interesting, perhaps unexpected. Convergence as innovation: the work has not slipped past more or less distant, even optimistic pushes one of the solutions for the future. The installation takes care to occupy the intermediate stage, that arises as a criticism and denunciation of the current state until it is genuinely thought a complete building work on piazze.Tuttavia the permanence of the position in the square has the size and same value as a monument; so here's a meaning in the use of marble: it is monumental.
Piazza roads and means of meeting people, but more fundamentally is to make "free" spaces, open, hospitable shore leave on the edge of the walkways.
overlapping the square the work is done by finding a convergence of historical sites and level of everyday life and in formal terms: the monumental MONOPANCA make the chair through its most popular, celebrated in practice the lack of ability to stop on the places .
mentelocale00@gmail.com
MONOPANCA
Mentelocale urban art project.
Bandinu.Brembilla.Camaggi.Finelli.Guerinoni
Location: Piazza Giuseppe Verdi and Piazzetta della Pioggia said in Bologna.
are places of threshold of the Roman quarter, exactly where was "the penultimate" ring of walls that stood between the late sixth and early thirteenth century. Squares on both the lack of benches makes it difficult and almost unnatural break.
Verdi Square is the center of the university, is a meeting point and crossroads, because of its nature in recent times almost ground to social strife between residents and students here in the absence of the pause becomes stationary benches. Yet paradoxically, the presence of benches could lend itself to reinforce the argument.
Square in the Rain is a place of transit, pedestrian and cycle especially, its very structure precludes ideally present the concept of rest, because about half the square is occupied by the road and the parking of motorcycles and bicycles.
Entities: on the floor of the Piazza offers available: a limited number of chairs-sculpture. These are the same shape, the single most common between the chairs: white plastic - chair terrace, garden, camping. An outdoor chair that became becomes public bench and having a single call MONOPANCA. The MONOPANCA will be produced - 1:1 scale - in white Carrara marble and sculptures will be located in both squares in the middle of the area apart from each other; other four, but stacked on each other, located in blocks near a column or pillar.
The users: they can swap the marble to plastic, taking the work to a common chair. The surprise will probably be delayed beyond the first present to the eye. The approach will be voluntary, even after repeated passages and will be in a sense willing and desiring. In addition there is a part of the work, MONOPANCHE ie do not stack, really usable as chairs-benches. In this case the user will enjoy a privileged position relative to other visitors to the square, then take a view interesting, perhaps unexpected. Convergence as innovation: the work has not slipped past more or less distant, even optimistic pushes one of the solutions for the future. The installation takes care to occupy the intermediate stage, that arises as a criticism and denunciation of the current state until it is genuinely thought a complete building work on piazze.Tuttavia the permanence of the position in the square has the size and same value as a monument; so here's a meaning in the use of marble: it is monumental.
Piazza roads and means of meeting people, but more fundamentally is to make "free" spaces, open, hospitable shore leave on the edge of the walkways.
overlapping the square the work is done by finding a convergence of historical sites and level of everyday life and in formal terms: the monumental MONOPANCA make the chair through its most popular, celebrated in practice the lack of ability to stop on the places .
mentelocale00@gmail.com
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