The exhibition ROCK! - Which has now exceeded the threshold of 4,000 visitors - will present Wednesday, January 19, 2011 from 17.00 Room "Napoli winks at Rock , the third event of its cultural programming.
After the screening - national premiere - the documentary "The streets of the soul" and Graziano di Giorgio Verdelli Uliana and after the presentation of the book by Joe Santangelo "Shoot me! - The Truth Lennon's murder "[Chinaski Edizioni] Wednesday, January 19 in the Hall "Napoli winks at Rock the spotlight will be focused on SOUND 'AND NAPLES. This fact is the title (borrowed from a book by Carmine Aymone, published by Guide Publishing House) for a meeting - moderated by the two founders and directors of cultural shows and Carmine Aymone Iossa Michelangelo - which will see the participation of several artists who have made the history of sound 'made in Naples', of professionals, managers of several record labels that will anticipate future city projects and interesting news-record editorial assistance provided during the meeting will be live-in surprise.
During the afternoon also will be screened the documentary "The Negroes of Vesuvius" by director Luigi Zaccaria, made for "La Storia siamo noi" di Gianni Minoli (Rai Educational) with Edward and Eugene Jackson, Pat Metheny, James Siena, Roberto De Simone , Teresa De Sio, Rino Zurzolo, Jenny Sorrenti, Enzo Gragnaniello, Toni Esposito, Erri De Luca, Raffaele Cascone, Dario Salvatori,
Gino Castaldo, Carmine Aymone, Marilisa Merolla ...
Presented by the City of Naples - Department of Culture, the shows ROCK! enjoys the patronage of the Consulate General of the United States of America in Naples (which has contributed to of the "American Dreams: The Rock 'stars and stripes') and the British Consulate in Naples.
cultural director of the exhibition are Iossa Michelangelo (who is also the coordinator general of the entire project for the Cultural Association "MFL Notice") and Carmine Aymone, music critics and teachers of the history of rock.
ROCK! - Exhibition / event on the rock and its languages \u200b\u200b
From 18 December 2010 to January 31, 2011
PAN
The music, as well as a pleasant diversion (
and essential for myself and for many other "dreamers" or "allegroni" , primarily, of course, not to mention how the Conservatives ! The conservatory is an institution of university specialized in the study of music in music performance
, music composition, music theory
, choral music, harmony and counterpoint , music theory and practice of a musical instrument for the cultural and artistic musicians.
few days before Christmas I had the opportunity to visit, although minimal, apart from the absolute minimum Giuseppe Verdi Conservatory in Milan of . My friend intraprendentissima MikyJazz! had to try, along with a pianist, a piano and vocal repertoire to be proposed for ' very exclusive night on the mountain planned for Christmas Eve, just in the Conservatory and I offered to accompany her. Or better food, to my great pleasure, her perennial late. There are times when you do not give up! I always knew where he was the Conservatory Niccolo Piccinni
of Bari, I've been there before for years and have had several friends enrolled there, but there are never entered. Or to browse or for above all iscrivermici. Although music is my first love and my biggest passion has always been rather sluggish in dealing with the study in a manner consistent , but most serious . When I was more or less, 11 years I decided to take guitar lessons
and I enrolled in a course, private, taught by a teacher. Just as it should be, the teacher ( can not remember the exact name. It was, inter alia, of a compound name) decided to start the study with the basics of music theory and music theory with the famous !
What I hated the music theory! It is still a dog to solmizate! Indeed, perhaps a dog solfege better than me!
Given my little desire to apply the theory I soon decided to give guitar lessons. After more or less five years I realized (finally say ! ) that my passion was to find an outlet not only in listening and writing "lyrics", but also in the real (I wrote My first "text" in 13 years, but at the time did not even know the basics of writing, or the setting of words by "jokes". Let's say I was delighted in making the "painful thoughts in a row" ). In September 2002 I began to study singing at a private school in via Argiro, Bari, called "The New Corey". My teacher at the time ( who followed me for 7 years before our relationship ended in a dare I say "unfortunate" ) was an opera singer herself a beginner with the teaching of light song . Yes because I have practically always studied
light song
, mostly pop. Definitely far from the fields of study in a conservatory in any city. I started my learning process of singing with the 'setting lyrical voice, a technique that, though, I struggled to loosen over time. I remember that cool fresh voice lessons I decided to try to sing some pop song with the lyric setting. Just imagine the result. As you might guess I was not Pavarotti or Bocelli
or so ... Over time, in the end, I learned to sing
. must watch though! For posterity will judge.
Over time (unfortunately or fortunately perhaps) my relationship with my teacher have deteriorated and I felt the need to experiment with new curricula and to entrust them to another professional.
Thanks to my friend Alexandra , met her during a singing competition I attended in 2008 in the province of Avellino
( unique artistic and human experience, who kept in my heart. Just as I keep the memory of the people encountered ) I met my new voice teacher with whom I studied for about a year, before moving to Milan. Thanks to him I really "found" voice.
Sin I liked them a number of episodes that occurred during my time in the last school of music.
I noticed that the music schools, most of the time, are closed circuits and, at times, impenetrable. The only way to survive in these 'enchanted forest composed of notes' is the integration form of a full merger . It is, almost, forced to take part in
million events organized within the institution and the various local "conventions" or face '
exclusion from the "round". , choral music, harmony and counterpoint , music theory and practice of a musical instrument for the cultural and artistic musicians.
few days before Christmas I had the opportunity to visit, although minimal, apart from the absolute minimum Giuseppe Verdi Conservatory in Milan of . My friend intraprendentissima MikyJazz! had to try, along with a pianist, a piano and vocal repertoire to be proposed for ' very exclusive night on the mountain planned for Christmas Eve, just in the Conservatory and I offered to accompany her. Or better food, to my great pleasure, her perennial late. There are times when you do not give up! I always knew where he was the Conservatory Niccolo Piccinni
of Bari, I've been there before for years and have had several friends enrolled there, but there are never entered. Or to browse or for above all iscrivermici. Although music is my first love and my biggest passion has always been rather sluggish in dealing with the study in a manner consistent , but most serious . When I was more or less, 11 years I decided to take guitar lessons
and I enrolled in a course, private, taught by a teacher. Just as it should be, the teacher ( can not remember the exact name. It was, inter alia, of a compound name) decided to start the study with the basics of music theory and music theory with the famous !
What I hated the music theory! It is still a dog to solmizate! Indeed, perhaps a dog solfege better than me!
Given my little desire to apply the theory I soon decided to give guitar lessons. After more or less five years I realized (finally say ! ) that my passion was to find an outlet not only in listening and writing "lyrics", but also in the real (I wrote My first "text" in 13 years, but at the time did not even know the basics of writing, or the setting of words by "jokes". Let's say I was delighted in making the "painful thoughts in a row" ). In September 2002 I began to study singing at a private school in via Argiro, Bari, called "The New Corey". My teacher at the time ( who followed me for 7 years before our relationship ended in a dare I say "unfortunate" ) was an opera singer herself a beginner with the teaching of light song . Yes because I have practically always studied
light song
, mostly pop. Definitely far from the fields of study in a conservatory in any city. I started my learning process of singing with the 'setting lyrical voice, a technique that, though, I struggled to loosen over time. I remember that cool fresh voice lessons I decided to try to sing some pop song with the lyric setting. Just imagine the result. As you might guess I was not Pavarotti or Bocelli
or so ... Over time, in the end, I learned to sing
. must watch though! For posterity will judge.
Over time (unfortunately or fortunately perhaps) my relationship with my teacher have deteriorated and I felt the need to experiment with new curricula and to entrust them to another professional.
Thanks to my friend Alexandra , met her during a singing competition I attended in 2008 in the province of Avellino
( unique artistic and human experience, who kept in my heart. Just as I keep the memory of the people encountered ) I met my new voice teacher with whom I studied for about a year, before moving to Milan. Thanks to him I really "found" voice.
Sin I liked them a number of episodes that occurred during my time in the last school of music.
I noticed that the music schools, most of the time, are closed circuits and, at times, impenetrable. The only way to survive in these 'enchanted forest composed of notes' is the integration form of a full merger . It is, almost, forced to take part in
million events organized within the institution and the various local "conventions" or face '
Events that almost never represent news. My old school music, in fact, proposed strategic repertoires known and strategic famous in jazz, or key in "a cappella" or any other key may be used. It difficult or very difficult, to listen to something new or if they felt belonged to niche genres. And I have often seen far from taking part in the events and we have been at times, to try, but I was so bored that once I decided to wear my headphones to listen to quite a few heartbreaks. To my ears of course.
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